The paradigm of gamelan music as an art form of a special ethnic or society group is currently changing. Various innovations that have been done by Indonesian and non-Indonesian composers prove it. Finally the art of gamelan music seems not to be owned anymore by a certain ethnic but is rather “owned” by individual persons. Beside keeping on with the tradition, what has been already done by Indonesian and also non-Indonesian composers? How have they developed gamelan music in terms of sound experiments and extending the musical grammar? What do I think about these renewals and where is my personal position in my Sundanese culture as an artist?